Featured
in The New Yorker just two weeks
after the 9/11 attacks, “Tuesday, and After” was written by The New Yorker staff, including contributions from John
Updike, Jonathan Franzen, Denis Johnson, Roger Angell, Aharon Appelfeld,
Rebecca Mead, Susan Sontag, Amitav Ghosh, and Donald Antrim. In the piece, the
various author’s shared their own experience of the attack, and their
observations on how the country should move on from that terrible day. At the
time, all of America was teeming with questions and looking to someone for an
answer. People were afraid and they didn’t know what permanent effects 9/11
would have on their lives and their country’s future. In an attempt to answer
these questions and pose a few of their own, the author’s recount the event
with intensely vivid imagery. One
contributor, John Updike, recounts the event by saying, “It seemed, at that
first glance, more curious than horrendous: smoke speckled with bits of paper
curled into the cloudless sky, and strange inky rivulets ran down the giant structure’s
vertically corrugated surface […] As we watched the second tower burst into
ballooning flame […] persisted the notion that, as on television, this was not
quite real; it could be fixed; the technocracy the towers symbolized would find
a way to put out the fire and reverse the damage” (Updike). By including such
powerful metaphors and painstaking description, the authors are able to bring
to life exactly what happened, and, in doing so, are able to sway the reader
using ethos and pathos to listen to their opinion. Another author, Johnathan
Franzen, used juxtaposition in his writing to give America some perspective on
the terrorists who led the attack. He states, “Perhaps some of these glad
artists were hiding in ruined Afghanistan, where the average life expectancy is
barely forty. In that world you can’t walk through a bazaar without seeing men
and children who are missing limbs” (Franzen). His inclusion of two different
worlds in his explanation of what happened help to make sense of the event. As
a piece intended both to comfort the American people as well as prompt them to
think towards the future, “Tuesday, and After” was a very well written piece
that the nation needed to read.
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